Since 2025, I’ve worked with CPW to develop installation architecture, casework, and exhibition design planning for their rotating exhibitions. The first year of programing used a fixed wall install that was continually re-edited to work for a widely varied series of exhibitions, including a group show of collage, The Rose, curated by Justine Kurland; Everyday Culture, a retrospective of the work of Documentary Arts, curated by Brian Wallis; and What My Mother Gave Me, a solo exhibition of photographer Nona Faustine.

For each exhibition, the walls were modified to create entirely new spaces, starting with composite MDF wall structure. The layout centered a large media space with large openings to view the whole gallery, which acted as the hub for the exhibitions.

Installation images by Ryan Rusiecki.